Content :

The Inbetweeners

Pushing Daisies

Once

Battlestar Galactica

Chuck

Preaching to the converged

White Girl

Terminator: Sarah Connor Chronicles

Be Kind, Rewind

Michael Clayton

No Country For Old Men

Mad Men

Journeyman

2007 on the big screen and small

Top 25 Time Travel Stories

The Rules of Seduction

The Nines

National Novel Writing Month

Portrait of Jennie

Red Planet Prize

Dexter

Screenwriting matters

The secret history of British film

Californication

Agents

Superbad v the feMANists

Atonement

Paul Laverty

My weekend with the podcasters

Edinburgh Film Festival 2007

A bummer of a summer of British film?

Wouldn't you just die without Mahler

The great British screenplay

Seinfeld

Steps back in amazement

Cheltenham Screenwriters' Festival

28 Pirates Later

How to arrive late and leave early

Blog off and leave me alone

Screenwriter : comic reader

The 50 Greatest TV Dramas

Spiderman 3

The Holiday

Perfume

Porn: The Second Coming

The Innocents

Battlestar Galactica

My highlights and low lights of a moviegoing 2006

The Queen

Pan's Labyrinth

Casino Royale

Little Children

My fave screenwriting podcasts

Random thoughts about character

Trouble in paradigm

Children of Men

Lost on Broad Street: Diary of a Multi-Strand Collaboration [External link]

Dramatica: the DNA of story?

Writing partners

EAVE: uni for film producers

Writing for Hollyoaks

The loneliness of the long-distance copywriter

Access issues for theatre writers

 

Edinburgh 2007


EIFF After the unbelievable hassle of vlogging from the Cheltenham Screenwriters' Festival, I vowed that the next one would be a nice, easy written blog. And as if by magic, the Edinburgh International Film Festival announced that its theme for 2007 would be 'cinema and the written word'.

So I set off to spend five days there, see lots of films, meet new and interesting people, and get it all down on my laptop as it happened.

I'd had no intention of going to this festival initially as I couldn't see that it would be any use to a screenwriter. But I caved in to persuasion from others far more knowledgeable than me and decided to go for it.

On the networking front, it wasn't as easy as Cheltenham. There you knew that you could talk to anyone because they were either a screenwriter themselves or they were there to meet screenwriters. In Edinburgh it's very different and half of the people you end up talking to are little use to your career as a screenwriter.

Perhaps it might have been different if the 'written word' theme of the festival had delivered in any meaningful way, but that was very disappointing.

Writers know way too much about the industry and their place within it these days to be grateful for a handful of writer-director In Person sessions. That doesn't constitute a theme. It constitutes a token gesture, and not a very convincing one at that. There were no more writer-centric events than you'd expect at any film festival.

On the whole, though, I had a positive experience. I met a lot of interesting people and saw a lot of good films, films that gave me some much needed impetus to write and sort out my own scripts.

In the end, I suppose, just being around filmmakers and films is enough for a screenwriter.

Now it's back to those screenplays of my own...


The blog is published on the new Festival Focus page of Shooting People's website, and this is what I wrote about :

Yeah, boyeeee (and shit)
I touchdown and go on a mad search for a movie fix and end up with a film about breakdancing.

You can’t fool the children of the revolution
Hungarian film about the 56 revolution, Szabadsag, Szerelem (Children of Glory), falls a bit flat, even with a magyarphile like me.

It’s a dirty job but someone’s gotta do it…
Torture porn thriller WΔZ just wasn't, but a big party night made up for it.

And when did you last cry in a cinema?
Another Hungarian film, Kythéra, and the powerful And When Did You Last See Your Father?

Spiegel im spiegel
A night out on the town with some new friends, with shocking photographic evidence.

Sweet and deadly
UK urban thriller, Sugarhouse takes me by surprise.

Meetings with Scottish screenwriters
In which your intrepid reporter interviews Paul Laverty and hangs out with the Scottish Screenwriters group.

And the special prize goes to…
Justin Edgar's new film, Special People, is really rather good.

The waiting is the best bit…
I go down to the basement Videotheque and watch the nice new Brit romance, The Waiting Room. It's obviously feelgood day.

Crazy in love
Sisterly rivalry in German film Schwesterherz (Twisted Sister) and Julie Delpy being totally bonkers in her brilliant new comedy Two Days in Paris.

See you all next June
Yes, they're taking it away from the main festival and plonking it in June, all on its own, next year.